“…Yablonskaya’s musicality never gives way to merely exploiting the music for its own glory.  If tastefulness and stylistic insight mean anything to you, you will thoroughly enjoy listening to Oxana Yablonskaya”

“An orchestra is superfluous for ‘Pictures at an Exhibition’ when there is a pianist of Yablonskaya’s powers to paint them in such indelible colors.   A thoroughly excited audience lingered for four encores.” — Los Angeles Times

“…Yablonskaya is a mixture of passion, power and poetry, and in the course of one concert, put herself, her piano and the audience through everything that could be expected of a piano recital.” — Toronto Star

“…An imposing figure at the piano, Yablonskaya goes for the large gesture rather than for subtle detail, and thus we had heard hard driving, percussive performances, which developed an enormous amount of visceral excitement and left no doubt that Yablonskaya is in complete command of the total resources of the keyboard.” — Monterey County Symphony

“…A large audience welcomed her back to Chicago, and her program revealed a technique as impressive as ever, as well as a temperament equally at home in the simple elegance of a Mozart rondo and the thundering chords of a Scriabin etude.  Being perfectly able to manipulate the keyboard however she wants, Yablonskaya knows when to take risks and when to pull back and let the music speak for itself.

In the two major pieces, the Beethoven Sonata in D Minor, Op.31, both dramatic, emotional works – Yablonskaya’s bold originality surfaced.  She took full liberty with the experiments in contrasting rhythm and dynamics in the first movement of the Beethoven.  She lingered over the slow introductory bars whenever they returned, letting each rising tone build and echo before plunging into the short, answering flurry of notes.

In the famous Marche Funebre of the Chopin sonata, she emphasized the bass melody’s relentless nature rather than its overpowering volume.  In the Sonata’s opening movement, she gave this almost chaotic music coherence by highlighting the return of early motifs.  She made sure we heard a rumble of octaves under a singing melody and the harmonic twists that helped reinforce the shape of this hectic, headlong movement.

Yablonskaya’s sheer technical prowess was on the most vivid display in six Scriabin etudes from Op. 8, exercisers composed in imitation of Chopin’s etudes.  But as the Mozart Rondo K.511 and the Chopin Noturne Op. 9, No. 1 and Scherzo Op. 31, No. 2 revealed, she also can weave a lyrically meditative melody.” — Chicago Sun-Times

Oxana Yablonskaya’s charismatic piano playing and profound interpretations have brought her acclaim for over thirty years.  Known for her powerhouse virtuosity, exquisite sensitivity, and deep emotional drive, Ms. Yablonskaya has enchanted audiences world-wide.

Oxana Yablonskaya was born in Moscow.  As an adolescent she attended The Moscow Central School for the Gifted under the tutelage of great Anaida Sumbatyan,  with whom she worked with until the age of 16.  She later studied at the Conservatory of Moscow with the legendary Aleksandre Goldenweiser.  At 22, she began a professional relationship with Tatiana Nikolayeva in the Doctorate Program, later acting as her assistant at the Moscow Conservatory.  Following graduation with high honors, she was introduced to the Western World in Paris at the Jacques Long-Thibaud Competition in 1963, the Rio de Janeiro Competition in 1965, and the Vienna Beethoven Competition in 1969.  She won top prizes in all three competitions, and received numerous invitations for return engagements, but because of the Cold War, was not allowed to do so.

While still in the USSR, Ms. Yablonskaya performed Shostakovich’s Piano Concerto #1 with the Moscow Philharmonic under conductor Yury Simonov at the Composers Jubilee Concert in the Kremlin.  She was the first performer to play Rodion Shchedrin’s “Basso Ostinato,” which became her signature piece.  Her status as a consummate professional was heightened by many prominent Soviet and foreign composers dedicating their music to her.

Despite the reputation she had earned within the Soviet Union and  being a prize winner of three international competitions, she was never permitted to play outside the Eastern Bloc.  .  Yet, she recorded for the Melodya label and had earned the prestigious title of Soloist of the Moscow Philharmonic.  The title put her in the company of elite artists such as Gilels, Richter, Rostropovich, Oistrakh and Kogan. Outstanding solo performances with the Bolshoi Orchestra, the Moscow Stars series, and the Shostakovich 65^th Birthday Celebration Concert were confirmations of her remarkable talent.

In 1975, distressed over constant restraints on her personal and artistic freedom, she applied for a U.S. visa. Her actions resulted in a loss of her position as a professor at the Moscow Conservatory. She inherently was deprived of all concert engagements.  She waited more than two years for a visa and finally, she was allowed to leave the country with her father and young son due to the diligence and petitioning by Leonard Bernstein, Stephen Sondheim, Richard Rodgers, Katherine Hepburn, Bar Ilan, and over 45 famous writers, musicians, senators, and actors.

Ms. Yablonskaya arrived in New York in 1977, unknown, unheralded, and not having touched a piano in more than two years. She made her first New York appearance in a recital at the Alice Tully Hall in Lincoln Center only four months later, and received laudatory acclaim from the press.  Her Carnegie Hall debut recital the following October was attended by a capacity crowd, and she has since taken her place among the major pianists of the world.

Once considered ‘The best kept secret of the Soviet Union,’ Ms. Yablonskaya has now performed in more than 40 countries.

Following her triumph at her London recital debut in the Queen Elizabeth Hall in 1982, the Daily Telegraph wrote: “Yablonskaya is the sort of pianist who accomplishes with ease and naturalness what others struggle for a lifetime to achieve.”  In 1986, following her Canadian performance with the National Symphony under conductor Mstislav Rostropovich, a music critic of the Toronto Star wrote, “She played Rachmaninoff’s 3^rd as if it was written for her.”

Ms. Yablonskaya has emerged as one of the most compelling talents of her generation.  She has performed with many of the finest symphony orchestras in the world and with many of the leading conductors of our time.  An extraordinary recitalist, she is equally renowned for solo performances. In addition to Carnegie Hall and Lincoln Center, she has performed in the Royal Albert Hall and Wigmore Hall in London, Teatro Colon in Buenos Aires, Suntory Hall in Tokyo, Orchestra Hall in Chicago, Royal Concergebouw in Amsterdam, Great Hall of Moscow Conservatory, Great Hall of St. Petersburgh Philharmonic, Queen Elizabeth Hall in London, Sheldonyan Theatre and Holywell Music Room in Oxford, England, Magador Theatre and Champs Elysees Hall in Paris ,Opera House in Sidney,Municipal Theatre in Rio De Janeiro,Seoul Arts Center,Shanghai Arts Center, Royal Thompson Hall in Toronto,92 street Y in New York,Osaka Arts Center and many more.

Ms. Yablonskaya has collaborated in performances with such celebrated conductors as:

Alexander Dmitriev, Alexander Anissimov, Yury Aronovitch, Rudolf Barshai, Herbert Bloomstaadt, Boris Brott, Abraham Chavez, Sergiu Comissiona, Franz Paul Decker, Lawrence Foster, Youosh Forst, Pierro Gamba, Fedor Gluschenko, Inbal, Arnold Katz, Anton Kersies, Dmitry Kitaenko, Eric Klaas, Kirill Kondrashin,Uri Maier, Fuat Mansurov, Nathan Rakhlin, Mstislav Rostropovitch, Gennady Rozhdestvensky, Stanislaw Skrowachevsky, Pavel Sorokin, Yevgeny Svetlanov, Yuly Turowsky, Victor Yampolsky and many others.

In 1990, after a 13 year absence, Ms. Yablonskaya returned to Russia for a sold-out concert, master classes and recitals at the Moscow Conservatory.  Since then she has returned on a regular basis and is once more recognized as an elite piano virtuoso in Russia.

In recent years, Ms. Yablonskaya has collaborated with her son, renowned cellist/conductor,2007 Grammy Award Nomineee Dmitry Yablonsky. Their concerts have enjoyed vast public and critical acclaim.  The New York Times called their Carnegie Hall debut, “A vibrant dialog.”  Their recordings together include duo performances for cello and piano as well as Khachaturian and Glasunov piano concertos recorded with the Moscow Symphony Orchestra, Tchaikovsky, Rachmaninoff, Prokofieff, Brahms , Liszt 1st concertos and Chopin 1st and 2nd Concertos with Moscow Philharmonic Orchestra.

In addition to her success as a concert pianist and recording artist, Ms. Yablonskaya has held the position of Professor of Piano at The Julliard School in New York City.  She has lectured numerous master classes at many distinguished music schools, academies, conservatories and festivals throughout the world such as Newport  and Bowdin in USA, Flaine and Tours in France, Lago Maggiore in Switzerland, Oxford Philomusica in England. Dr.Yablonskaya is a Co- Founder  of Puigcerda Musica Clasica International Festival in Spain since 1998, Gabala International Music Festival in Azerbaijan.

Ms. Yablonskaya made numerous editions of piano music by Cimarosa, Tchaikovsky, Lyadov, Balakirev, Gluck, Glinka and others for International Music Company and currently continues her collaboration with this prestigious music publishing company.

Ms. Yablonskaya also serves on the jury of many international piano competitions such as Leeds in England, Franz Liszt in the Netherlands, Prokofiev in St.Petersburg, Russia, Hamamatsu in Japan, competitions in Taiwan, Andorra, at the Seiler International Piano Competition and Vladimir Horowitz International Piano Competition, Piano E-Competition in Minneapolis, Minn.  Jose Iturbi in Valencia, Parnassos in Monterrey, Mexico as well as  Sendai Competition in Japan and Beethoven Competition in Bonn,Jose Iturbi in Los Angeles, Lev Vlassenko in Brisbane,Grieg in Oslo and Bergen, Shanghai Competition among others.

Among her numerous recordings, Ms.Yablonskaya’s Liszt/Schubert CD won the Grand Prix du Disque from the International Liszt Society in Budapest.  In the December 1995 review of her Tchaikovsky CD, the American Record Guide wrote, “Oxana Yablonskaya is an artist who deserves to be heard and in any repertory she chooses.”

In March of 2006 Ms. Yablonskaya performed inaugural “Sold Out” recital in Carnegie Zankel Hall in New York marking the Founding of Chopin Society of New York of which she was appointed Vice -President and Music Director.

The 6 concert tour of France with a “Sold Out” concert in Paris’s historical Magador Theatre followed immediately after, where Oxana Yablonskaya performed Rachmaninoff 3rd Piano Concerto with Orchestre National D’Ille de France .

After magnificent performance at Magador Theatre French critic Cyril Brun called Yablonskaya “Grand Tsarina of Russian piano who in an instant opened for us the whole Imperial Russia.”

On December 15^th of 2006 another “Sold Out “ “Oxana Yablonskaya and Friends “ event took place at Carnegie Zankel Hall , where Oxana and Dmitry Yablonsky performed Chopin’s Cello Sonata and Grand Polonaise and received standing ovations. Composer Lowell Liberman wrote after attending this concert:” Profound performance of this Sonata will stay in my memory for a long time”.

During this concert surprise ceremony took place – Oxana Yablonskaya was presented with a title of Honorary Academician of International Academy of the Arts at the United Nations, International Academy of the Arts in San Francisco and International Independent Academy of Liberal Arts in Moscow, Diplomas and Einstein Gold Medal for extraordinary achievements in the Arts. In October of 2008 Oxana Yablonskaya Piano Institute opened it’s doors in Castelnuovo di Garfagnana in Tuscany, Italy.The 2008 was marked by a 70^th Birthday Jubilee Celebration of Oxana and all year she has been performing starting in Italy with New Years Day recital in Catania, then in Israel  she performed Tchaikovsky 1^st concerto four times, Grieg concerto in Turkey, solo recital in Tuscany and Master Classes in Hamamatsu Academy, Japan, judging  Liszt Competition in Utrecht, Jose Iturbi in Los Angeles,E-Piano Competition in Minneapolis, teaching in Spain, solo recital at MTNA in Los Angeles, Master Classes and chamber music concert in Nice, recording of Tchaikovsky “Seasons” and”Album for the Young”. Two concerts on

November 29^th and December 1^st were televised on National TV in Taiwan –Oxana performed Shostakovich 1^st Concerto with National Symphony Orchestra in Taipei and Taichung.  The Grand conclusion of year long celebration took place on December 11^th with the  Jubilee “Sold Out” Concert at Carnegie Zankel Hall in New York where Oxana Yablonskaya performed Beethoven 4^th,Chopin 2^nd and Shostakovich 1^st concerti and received standing ovation.

In 2009 ,2011,2013,2016 Mme. Yablonskaya Presided at the  International Piano Competitions in Qabala, Azerbaijan and performed  with Royal Philharmonic Orchestra Beethoven “Emperor” concerto#5.

IN 2014 Professor Oxana Yablonskaya and her husband piano builder/technician Alexander Volchonok made a very significant move in their life – made alia to Israel.

From October 2016 Dr. Yablonskaya has been invited to teach at the Jerusalem Academy of Music and Dance.

Mme. Yablonskaya will judge Sendai International Piano Competition in 2019.

Oxana Yablonskaya is a Yamaha Artist and Artistic Advisor for Yamaha Master Classes in New York City.

A celebrated violinist, educator, and mentor, Jungwon Yoon is recognized for her passionate devotion as a teacher and her empathy for her students. Born in South Korea, Yoon began her musical studies at the age of five. Her first teachers were her parents, who were accomplished violin pedagogues renowned in Korea for discovering and nurturing young talent.

Yoon’s quest for excellence in music led her to continue her studies with her great teacher and mentor, violinist and educator Lucie Robert. Under her guidance, Yoon honed her skills as a violinist and developed a deeper understanding of music pedagogy, which would shape her career and teaching philosophy. Yoon also studied with Catherine Cho, Patinka Kopec, and Todd Phillips.

Yoon has attended master classes with Joel Smirnoff, Arnold Steinhardt, Aaron Rosand, Pinchas Zukerman, Donald Weilerstein, and members of the Emerson, American, and Orion String Quartets, among other renowned violinists. In 2013, she became a faculty member and director of the string department at the New Jersey Music School. Many of her students have gone on to win national and international competitions and to perform in venues such as Carnegie Hall, Alice Tully Hall, Merkin Concert Hall, and Bruno Walter Hall. Her students also regularly gain admission to the world’s premier music conservatories with scholarships.

By combining the influences of her teachers with her own experiences teaching at the New Jersey Music School, Yoon seeks to provide a broad range of musical experiences for her students, encouraging them to explore and to collaborate with other genres of music. She actively pursues and creates new performance opportunities for her students, encouraging them to collaborate with musicians from both classical and popular backgrounds, such as participating in the production of music videos in genres that are less familiar to her students to expand their boundaries. Yoon continues to search for new, innovative ideas to provide the most effective learning environment for her students and to equip them with the tools to find their own path.

Yoon studied at the Juilliard Pre-College Division, where she was the last disciple of the late Dorothy DeLay. She received her Bachelor of Music degree in violin performance from Manhattan School of Music and her Master of Music and Professional Studies degree in violin performance from the Mannes College of Music. Yoon holds a Doctor of Musical Arts degree in violin performance from Rutgers University.

She is currently on the violin faculty at the Manhattan School of Music Precollege Division and director at the New Jersey Music School. 

At the age of 13, Richard Young was invited to perform for Queen Elisabeth of Belgium at the Royal Palace in Brussels. Since then he has been soloist with various orchestras and has given solo and chamber music recitals throughout North and South America, Europe, the Far East, Africa, and Australia. A special award winner in the Rockefeller Foundation American Music Competition, he was a member of the New Hungarian Quartet as well as the violinist of the Rogeri Piano Trio. From 1985 he was the violist of the renowned Vermeer String Quartet.

Mr. Young has performed at many prestigious festivals throughout the world and has recorded over three dozen works for Teldec, Naxos, Orion, Cedille, Vox, Musical Heritage, Angelicum, and Alden Productions. He has received three Grammy nominations, and was the producer of the Vermeer Quartet’s CD of Haydn’s The Seven Last Words of Christ, which has been broadcast to over 60 million people throughout the world. His most recent CD – with Alex Klein and Ricardo Castro – includes works for viola, oboe, and piano by Loeffler, Klughardt, Hindemith, White, and Yano. Mr. Young is also the author of a best-selling book on Haydn entitled Echoes from Calvary, published by Rowman & Littlefield. He has taught at Northern Illinois University, the University of Michigan, Northwestern University, Pontificia Universidad Javeriana (Bogota, Colombia), Wichita State University, North Park University, and was chairman of the string faculty at Oberlin Conservatory. He has an honorary doctorate from Dominican University and is a Fellow of the Royal Northern College of Music in Manchester, England. His recent master classes include the Paris Conservatory, the International Academy for Chamber Music of Lower Saxony, FEMUSC in Brazil, the Geneva Conservatory in Switzerland, the Dutch String Quartet Academy in Amsterdam, and the Hochschule für Musik Hanns Eisler in Berlin.

In addition to his more traditional teaching activities, Mr. Young has done a substantial amount of inner-city volunteer work for the benefit of disadvantaged children – at the People’s Music School in Chicago, and as a supervisor of the International Music Foundation’s extensive “outreach” program. He has also been seriously involved with various social/music projects, including the YOURS Project in Chicago at its inception, NEOJIBA in Brazil where he was responsible for string pedagogy and chamber music, and BATUTA in Colombia. His Comprehensive String Pedagogy & Curriculum provides uncommon assistance for teachers and conductors of both sistema-inspired projects and traditional youth orchestras.

Mingen Zhou, violinist, currently the director of the string section of Shanghai Music Middle School affiliated to Shanghai Conservatory of Music,was born in Shanghai, China. She studied at the Shanghai Conservatory of Music, received her early training from Professor Zhao Ji Yang, Zhang Shi Xiang, Zhao Dan Qing and Zheng Shi Sheng, and completed her postgraduate studies at the Northern Royal Music Conservatory in Norway in 2003,under the full scholarship ,with Professor Malfred Hassen and Violinist Mr. Issac Schuldman. She has performed the <Butterfly Lover> violin concerto with Shanghai Youth Orchestra in Ningbo and Shanghai in 1995, and has given her solo recitals in Tromsø, Norway. She was the member of UBS Verbier Festival Orchestra in Switzerland in 2003 and 2004.

Mingen Zhou has also been involved in chamber music for many years , she is one of the founders of the “Resident Teachers String Quartet” of Shanghai Music Middle School in 2004,and often holds chamber music concerts , she has collaborated with many artists such as Chen Sa, Xu Zhong, Dong-Suk Kang.

Mingen Zhou also devotes to teaching, currently teaching in Shanghai Music Middle School affiliated to Shanghai Conservatory of Music ,she gives violin masterclasses in Shanghai ?Macow and as well as other cities in China, her students have won several violin competitions both in China and abroad,such as “CCTV China National Violin Competition”in 2008?“Bucharest International Violin Competition” in 2009?“China National Violin Competition”in 2012?“Hongkong International Violin Competition” in 2014. Mingen Zhou has been invited as jury member of CCTV China National Violin Competition in 2008,and 2012 (Shanghai Area). In recognition of her achievements in music education ,she has been rewarded a great deal of awards such as 2009 and 2012 He Lv-Ting Award ; 2009 Best Teacher Award ; 2012 the National Violin Competition Wen Hua Teacher Award from P. R. China Ministry of Culture ; 2013 the Tang Jun Yun Teacher Award,1st.price,from Shanghai Education Commission.

Mingen Zhou is invited as jury member of XXI“Andrea Postacchini” International Violin Competition in Italy, in May 2014.She is invited as jury member of 2014 Hongkong International String Competition in Hongkong ,in July 2014;and also the jury member of 5th. Hong Kong International Violin Competition in Feb.2015.

Jeremy Zhu, violinist, chamber musician and educator, was recognized as “pushing creatively” (D&C NY); “his dedicated teaching inspired in many ways” (El Mercurio & Actividad Cultural Chile); “influenced…more than any other” (Democrat-Gazette AR); “a very creative, sensitive, thoughtful, and intelligent teacher and violinist”, and “a supportive colleague in any situation” (the Cleveland Quartet); “communicative in his playing as well as thoughtful and intelligent, his teaching creative and inspiring” (George Kern-Mozarteum, University Salzburg); “with a wide interest in music of all creative periods…superb…so distinguished” (Samuel Adler-Eastman, Juilliard).

Jeremy Zhu is a principal performing artist at the LORE Society for Performing Arts & Education, and also an artist faculty in violin, chamber music and ensemble at the LORE Academy for Performing Arts. He teaches students from youths to professionals, while maintaining his commitment to concert performances worldwide. The combined career in performance and teaching has taken Jeremy Zhu across the world from North America, Chile, to France, Germany, Austria, Switzerland, Italy, Spain, China, and others. He has joined the international festivals, concert series and the educational institutions, such as Euro Arts in cooperating with the Cologne University of Music and Dance, Summit-NY, IAM-Tuscany, and so on. He has also served as a juror in competitions such as the Burgos IMF Competition in Spain. Mr. Zhu has collaborated in performance and teaching with George Kern, Gerald Fauth, Shmuel Magen, Emanuel Gruber, Charles Castleman, Malcolm Bilson, Samuel Adler, and many other distinguished musicians from all over the world.

Among Jeremy Zhu’s students are some of the most internationally acclaimed professional concert artists. Many of his young students have achieved the highest honors in major institutes and won top prizes in international competitions. As global citizens, they have performed in important venues such as Carnegie Hall, Lincoln Center, National Taiwan Concert Hall, Beijing National Grand Theatre Concert Hall, and other major international stages, along with the White House, invited by First Lady Laura Bush. His students have been featured and interviewed by major mass media in various countries in North and South America, Asia, and Europe.

Jeremy Zhu was a full-time senior faculty member in violin, chamber music, and the director of the string ensembles at the ECMS-Eastman School of Music for more than sixteen years. He also taught the Eastman Summer Program and the Collegiate Student-Intern String Instructors. His studio teaching and classes were observed as teaching demonstration models for Eastman students in all degree programs. Mr. Zhu established the Curriculum and Examination/Jury Standards, and the Guidelines of Teaching/Study for ECMS-Eastman Pre-College Violin and Bowed String Studies. In addition, he served on the Senior Leadership Committee and as the Co-Chair of the String Department. Moreover, he was a faculty member at SUNY Brockport, professor at Roberts Wesleyan College, and visiting professor at the Euro Arts Academy in Germany, as well as other teaching posts.

Jeremy Zhu had received his master’s degree in Violin Performance and Literature from the Eastman School of Music. His teachers include John Celentano, Charles Castleman, Zvi Zeitlin, Carlo Novi (baroque violinist), Jean M. Barr, Malcolm Bilson, and members of the Cleveland Quartet. Subsequently, he had the privilege to be mentored by Donald Weilerstein.